Edgeworth Maria
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Maria Edgeworth was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe.The critic August Nemo selected seven short stories that show the best of this author's work: - The Grateful Negro - The Prussian Vase - The Good Aunt - The Good French Governess - The Orphans - The False Key - Tarlton
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Castle Rackrent Maria Edgeworth - "Castle Rackrent" is a classic novel written by British writer Maria Edgeworth. Published in 1800, "Castle Rackrent" is thought to be both the first historical novel and the first novel to feature an unreliable narrator.Set in Ireland prior to its achieving legislative independence from Britain in 1782, "Castle Rackrent" follows the fortunes of the last four heirs to the Rackrent estate of three as told in the voiceof their longtime devoted servant, Thady Quirk. Over the course of several years (the Rackrent men die off in a timely manner), the Rackrents manage to run the estate into the ground, despite exploiting their Irish labourers. Is Thadys dewey-eyed devotion to the Rackrents sarcasm or is he truly one of the gratefully oppressed?The work satirises the Irish landlords of the late 18th and early 19th centuries. Noted for its insight into Irish regional life, the book was the model on which Sir Walter Scott based his historical novels."Castle Rackrent" is a remarkably short novel, rendering a historical situation in order to expose the exploitative system beneath.
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Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels ofMaria Edgeworthwhich areBelinda and Leonora. Maria Edgeworth was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. Novels selected for this book: - Belinda - LeonoraThis is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
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Maria Edgeworth (1768-1849), one of the most celebrated authors of her day both in Ireland and England, is best known for her novels 'Castle Rackrent' (1800) and 'The Absentee' (1812). A contemporary of Jane Austen, Sir Walter Scott and Lord Byron, her prolific correspondence, penned largely from her home at Edgeworthstown, County Longford, is filled with her vibrant personality, warmth and wit. Marking the 250th anniversary of her birth, this is the first time Maria Edgeworth's letters from Ireland, many hitherto unpublished, have been revisited in any depth. Her letters span sixty years of momentous political change in Ireland -- the heady time of Grattan's Parliament and the perils of the 1798 Rebellion, the rise of O'Connell, the struggle for Catholic Emancipation, and the Great Famine for which she provided relief. Her storytelling and descriptive powers reveal an extraordinary personal understanding of the era. The wealth of detail in these letters is astonishing. They engage with science and literature, history and high-level European gossip, and the domestic concerns of life at Edgeworthstown itself. Maria, a proto-feminist, helped educate her siblings and became sole manager of the family estate. Humphrey Davy, William Rowan Hamilton, Madame de Stael, Francis Beaufort, Wordsworth and the Duke of Wellington stroll through these pages as the Edgeworth story unfolds. The reader is also granted privileged access to her ever-expanding family circle of three stepmothers and twenty-two siblings – most of whom Maria outlived. Among these were gifted artists, whose previously unseen drawings and sketches embellish this volume, while the editor's extensive commentary lends crucial context to this cultural treasure trove.
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